![]() But there are some scenes which are genuinely funny like several portions where Kishan pretends to be Arjun?s (Shreyas Talpade) aunt. The double meaning jokes are at times a bit over the top especially the scene wherein Kishan (as Sania Aunty) is in a room with Pandit (Anupam Kher) trying on shoes while the people outside the door misinterpret the conversation. With Namdev hot on her tail, she dumps the diamonds into Kishan?s back noting down the address and it is from here that multiple stories of mistaken identities, stolen diamonds and parallel love stories take over to create a chaotic, senseless, at times confusing, yet amusing plot.įlaws are in abundance in terms of the screenplay and at times some of the antics do get on the audience?s nerves, especially Rajpal Yadav?s Sarkar act in the ?tabela?. ![]() However inspector Namdev (Suniel Shetty is an inconsequential role) is already on her tail and so instead of taking a flight from Goa to Mumbai, she hops on a train where she meets Kishan (a very versatile Ritesh Deshmukh) in one of his numerous disguises. Carlos (Jackie Shroff) is an underworld king who sends his mole Sania (Celina Jaitley in surprisingly one of her best performances till date) to purchase some diamonds from a seller. However, the events occur in a manner wherein all the lead characters? dreams somehow get linked to money or rather to a stash of stolen diamonds. The film?s title is slightly misleading in that not everyone?s ?sapna? is money. ![]() Make no mistake, Apna Sapna Money Money is not a case study of good cinema nor is it even as entertaining as Golmaal, and yet the sheer premise of the film, its characters and the hilarious situations which ensue make it an entertaining film. At the same point in time, this year there have been films which were anything but good cinema and yet they had a certain quality to them which made them remarkably entertaining Rohit Shetty?s Golmaal is a perfect example of this type of cinema. However, the year has also witnessed many films which came no where near close to even good cinema and at the same time could not even entertain the audiences. Jaan-E-Mann and even to a certain extent Krrish and Kabhi Alvida Naa Kehna have reaffirmed that fact that great cinema can also be entertaining. Films like Rang De Basanti, Omkara, Lage Raho Munnabhai. This year has seen the release of many films which have catapulted Hindi films to the level of international cinema. ![]()
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